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Four Gospels, One Jesus - Strength to bear the burdens
Four Gospels, One Jesus - Strength to bear the burdens
by SPCK - Richard A Burridge
Strength to bear the burdens Luke’s spirituality As well as a patient steady plodder, carrying heavy loads, the ox was a very religious symbol for Jews, being used for sacrifice, and its horns representing the power of God. If Luke is the evangelist who depicts Jesus as the beare…
Four Gospels, One Jesus - Conflict between the Teacher and Israel
Four Gospels, One Jesus - Conflict between the Teacher and Israel
by SPCK - Richard A Burridge
Conflict between the Teacher and Israel Matthew 8—23 The intrusion of substantial non-narrative material in these sermons inhibits the movement of the plot. This mixture of Jesus’ ministry and his teaching produces a more measured air; instead of the breathless dash of Mark’s bou…
Four Gospels, One Jesus - The new teaching
Four Gospels, One Jesus - The new teaching
by SPCK - Richard A Burridge
The new teaching The Discourses, Matthew 5—7, 10, 13, 18, 23—25 While Mark has very little actual teaching, Matthew builds the character of Jesus as the Teacher of Israel, and structures the gospel around his five great blocks of teaching – the discourses punctuating the narrativ…
Four Gospels, One Jesus - The ox in the Temple and the stall
Four Gospels, One Jesus - The ox in the Temple and the stall
by SPCK - Richard A Burridge
The ox in the Temple and the stall Infancy and beginnings, Luke 1—4.13 Since the ox was the universal beast of burden, it is not surprising that Luke stresses the universal importance of Jesus. We have seen that the opening words of any ancient text were crucial. If Mark is not c…
Four Gospels, One Jesus - From four gospels back to one Jesus
Four Gospels, One Jesus - From four gospels back to one Jesus
by SPCK - Richard A Burridge
From four gospels back to one Jesus This basic unity of story outline within the plurality of portraits brings us to the second set of questions regarding the relationship of the four images to the search for the historical Jesus: what continuity is there between Jesus himself an…
Four Gospels, One Jesus - Literary approaches to the texts
Four Gospels, One Jesus - Literary approaches to the texts
by SPCK - Richard A Burridge
Literary approaches to the texts Narrative and readers If the authors of the four gospels are not just preachers and theologians, but also skilled literary artists, then we must use the tools developed in the study of literature throughout our culture. Such literary approaches in…
Four Gospels, One Jesus - The four symbols as visual teaching aids
Four Gospels, One Jesus - The four symbols as visual teaching aids
by SPCK - Richard A Burridge
The four symbols as visual teaching aids Reasons and explanations Clearly, the allocation of the symbols resulted from applying Ezekiel to one’s customary order of the gospels – and the explanations followed on later, some of which are rather strained. The reasons given are all d…
Four Gospels, One Jesus - The human face
Four Gospels, One Jesus - The human face
by SPCK - Richard A Burridge
The Teacher of Israel – Matthew’s Jesus ‘The human face Symbolism and meaning Our detailed consideration of Mark has demonstrated the person-centred reading of the gospels as biographies. About 90 per cent of Mark (around 600 verses) is repeated in Matthew, slightly abbreviated i…
Four Gospels, One Jesus - The way of an eagle in the sky
Four Gospels, One Jesus - The way of an eagle in the sky
by SPCK - Richard A Burridge
‘The way of an eagle in the sky’ Following John’s story, style and structure The ‘way of an eagle in the sky’ may be hard to understand (Prov. 30.19) but many readers have felt similarly as they have sought to follow the twists and turns, heights and depths of this most subtle ev…
Four Gospels, One Jesus - The ox plods a long, slow journey
Four Gospels, One Jesus - The ox plods a long, slow journey
by SPCK - Richard A Burridge
The ox plods a long, slow journey Luke’s style and structure Unlike Mark’s disorderly rushing about, Luke writes an ‘orderly account’ (1.4). His preface has a calm, literary self-confidence, and this continues into the main narrative. While Mark introduces everything ‘and immedia…
Four Gospels, One Jesus - The Teacher's suffering
Four Gospels, One Jesus - The Teacher's suffering
by SPCK - Richard A Burridge
The Teacher’s suffering The Passion, Matthew 26—27 Matthew includes nearly every verse of Mark’s Passion in the same order, except little details about the young man (Mk. 4.51–52), and Simon of Cyrene’s sons (Mk. 15.21b). Only about 26 verses are unique to Matthew (26.1–2, 25, 52…
Four Gospels, One Jesus - The Teacher's vindication
Four Gospels, One Jesus - The Teacher's vindication
by SPCK - Richard A Burridge
The Teacher’s vindication The Resurrection, Matthew 28 This atmosphere of supernatural intervention openly visible to all continues into Matthew’s resurrection account, as does his desire to tie up the loose ends and explain the difficulties. While Mark ends with a characteristic…
Four Gospels, One Jesus - Those who are burdened with heavy loads
Four Gospels, One Jesus - Those who are burdened with heavy loads
by SPCK - Richard A Burridge
Those who are burdened with heavy loads The ministry of the ox The keynote for Luke’s portrait of Jesus is set in his initial visit to the synagogue at Nazareth (4.16–30). Luke’s story is three times longer than the equivalent accounts which occur much later in Mark and Matthew (…
Four Gospels, One Jesus - Where is he who is born King of the Jews?
Four Gospels, One Jesus - Where is he who is born King of the Jews?
by SPCK - Richard A Burridge
Where is he who is born King of the Jews? Infancy narratives, Matthew 1—2 Mark begins with ‘the beginning of the gospel of Jesus Christ’, but Matthew picks another key word – genesis: ‘the book of the generation (biblos geneseos) of Jesus Christ, son of David, son of Abraham’ (1.…
Four Gospels, One Jesus - What about the authors?
Four Gospels, One Jesus - What about the authors?
by SPCK - Richard A Burridge
What about the authors? Redaction and composition I cannot always read my favourite newspaper at coffee-time in our staff common room, because someone else has bagged it already! Never mind, there are others around, and reading various papers reveals their different styles and vi…
Four Gospels, One Jesus - What sorts of material do the gospels contain?